A philosophy of the screenplay /

Bibliographic Details
Main Author: Nannicelli, Ted.
Format: eBook
Language:English
Published: New York : Routledge, 2013.
Series:Routledge studies in contemporary philosophy ; 49
Subjects:
Online Access:https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=133989
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100 1 |a Nannicelli, Ted. 
245 1 2 |a A philosophy of the screenplay /  |c Ted Nannicelli. 
264 1 |a New York :  |b Routledge,  |c 2013. 
300 |a 1 online resource (xiii, 270 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Routledge studies in contemporary philosophy ;  |v 49 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature. 
588 |a Description based on metadata supplied by the publisher and other sources. 
590 |a Electronic reproduction. Santa Fe, Arg.: elibro, 2020. Available via World Wide Web. Access may be limited to eLibro affiliated libraries. 
650 0 |a Motion picture authorship. 
650 0 |a Motion picture plays  |x History and criticism. 
655 4 |a Electronic books. 
797 2 |a elibro, Corp. 
856 4 0 |u https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=133989 
950 |a eLibro English