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Odilo00051100 |
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20161229080546.0 |
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|a 9788497478670
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|f Electronic book text
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|b Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga
|n In stock
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|a eng
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|h eng
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| 044 |
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|c ES
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|l https://covers.odilo.io/public/OdiloPlace_UNE_E8110/9788497478670.jpg
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|h https://covers.odilo.io/public/OdiloPlace_UNE_E8110/9788497478670_225x318.jpg
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|a Pettersson, Lin Elinor
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| 245 |
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|a Gender Performance and Spatial Negotiation in the Neo-Victorian Novel
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|a New edition 1
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| 256 |
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|a PDF
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| 260 |
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|a Spain
|b Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga
|c 2014
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| 264 |
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|c 20140730
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| 300 |
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|a 1
|f piece
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| 300 |
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|a 179
|f pages
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| 365 |
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|a 04
|b 2.48
|c EUR
|h 3.00
|j ES
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| 490 |
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|a Textos Mínimos
|v 101
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| 520 |
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|a The present volume examines Judith Butlers concept of gender performance in Angela Carters _Nights at the Circus_ (1984), Sarah Waterss ¬_Tipping the Velvet_ (1998) and Peter Ackroyds _Dan Leno and the Limehouse Golem_ (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy.
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| 521 |
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|a College/higher education
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| 650 |
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|a Literatura: historia y crítica
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| 856 |
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|z Texto completo en Odilo
|u https://uloyola.odilotk.es/opac?id=00051100
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| 960 |
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|a Spain
|c 2014
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